Here’s the latest, it’s called 2005-02-01. Bits and pieces were recorded in New York over several years. Finally assembled and tweaked many years later in Stockholm.
Second time around
posted by John Maxwell Hobbs
Here’s the latest, it’s called 2005-01-31. Using dijeridoo and voice to trigger the resonances in Gasverket in Stockholm. This recording was made possible by the amazing Rayverb plugin.
Here we go!
posted by John Maxwell Hobbs
Here is the first of the daily ambient tracks. It’s called 2005-01-30. This is a generative piece created from some of the source material used in Web Phases.
Towards Hypermusic
posted by John Maxwell Hobbs
Originally published at MIT‘s Leonardo On-Line in 1998 Experience While connecting to the Internet, the screaming of two modems arguing about their handshaking protocols finally stops when they come to an agreement. The modem speaker is turned off, but the modem continues to translate digital information into an acoustic signal: music for machines, perhaps. It […]
Turning Cybercasts From Music Promotion to Art Form
posted by John Maxwell Hobbs
From @ New York 1998 With the opening of the latest incarnation of the Intel New York Music Festival, a great deal of attention is being paid to the novelty — and commercial and artistic potential– of cybercasting. But “Cybercasting” itself is nothing new:
Sound On The Internet
posted by John Maxwell Hobbs
From Developer.com 1997 The conventional wisdom among IT professionals is that audio is a toy, for entertainment purposes only. To date, the best use of audio in user interfaces is in video games and CD ROMs. But thanks to faster processors, sophisticated new algorithms, and well-thought-out new APIs, user interface designers stand poised to take […]