John Maxwell Hobbs

Once again exploring the same process. 2005-07-29

Still playing around with the setup, doing a few tweaks and trying it with a cello patch this time instead of using my guitar. 2005-07-28

Just a variation on yesterday’s setup, the EBow is back. It’s really difficult not to overplay, so I’m working on playing less. I still think I could be even more sparse, so I’ll probably be working with this setup for a while. 2005-07-27

Same technical setup as yesterday, minus the EBow. This is sort of a blues in A minor, sort of . . . 2005-07-26

Pretty simple – ebow guitar with pitch shifted delays and a long looping delay run into the acoustics of Lau Kyrkan and its standing waves. 2005-07-25

This is a duet between the feedback/delay machine and me on bass. 2005-07-24

This time it’s all feedback and delays. 2005-07-23

Getting further and further away from the source, I took the result from yesterday and used it to generate feedback. 2005-07-22

I took the last two tracks, flipped the phase on one of them and mixed them together at the same level. This has filtered out whatever was in common between the two and left only the differences. 2005-07-21

Same process as yesterday, the only difference is that the source and filter sounds for the convolving have been reversed. 2005-07-20